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Art Curriculum Publications
 When
Barry Stebbing harkens to 80 art students, “Pick up your brushes; we are
going to paint,” they not only listen with intense interest, they perform
with a willingness that charges the room with guided excitement. And
these are not older children with years of painting and drawing
experience.
Many are under the age of eight and are embarking on art lessons
for the first time.
The professional oil painter (and creator of How Great Thou Art
Publications) continues his snappy approach to teaching: “Now I want you
to mix a dot of blue paint with some white, and fill in the left square of
the box.” As he demonstrates on an overhead projector with colored
pencils, hardly a sound is heard as children proceed with confidence and
dexterity. When done, they glance
up to
their newly discovered mentor in anticipation of the next phrase of
instruction. Mixing in a little more pigment, the students apply the next
tone of blue to another side of the box t o show how light and shadows aid
in creating dept and various tones in a picture. 
Barry calls out the next step with a high degree of surety, respect, and
confidence in his pupils; they
respond with surety, respect, and
confidence in their teacher. The result unveils young, budding (and many
blossoming) artists who have been given the opportunity, tools, and knowledge
to venture into new realms of creativity. This aspect of character
and skill development is more than vital, explains the artist with a
certain zeal often lacking in classrooms, “Since we are made in the
image of God (see Genesis 1:27), His creative power must be cultivated
with each person in order to reveal His true character to others.”
With ever-building convictions among parents regarding the value of
creative thinking, Barry sees what he terms “a major revival in the arts.”
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